OSCAR NOMINATIONS (83rd Academy Awards)

(This list was compiled and commented upon the day the nominations were released, 25 January 2011, and added to on 8 February 2011, and is therefore subject to change up until the day before the actual ceremony. Or even the day of, really.)

 

Actor in a Leading Role

(I've only seen "True Grit" and "The King's Speech." Not a huge Jeff Bridges fan, plus he won last year. Colin was AWESOME, very believable, and not just with the stuttering. My choice. :)

• Javier Bardem in “Biutiful”
• Jeff Bridges in “True Grit”
• Jesse Eisenberg in “The Social Network”
• Colin Firth in “The King's Speech”
• James Franco in “127 Hours”

Actor in a Supporting Role

(I love Christian Bale and Jeremy Renner....but I haven't seen theirs. Geoffrey Rush was good, but maybe not wonderful. John Hawkes was Soda Pop, right?)

• Christian Bale in “The Fighter”
• John Hawkes in “Winter's Bone”
• Jeremy Renner in “The Town”
• Mark Ruffalo in “The Kids Are All Right”
• Geoffrey Rush in “The King's Speech”

Actress in a Leading Role

(Natalie Portman was AWESOME. So was Jennifer Lawrence. Very impressed. Nat will probably get it, but I'm so glad JLaw at least gets recognition.)

• Annette Bening in “The Kids Are All Right”
• Nicole Kidman in “Rabbit Hole”
• Jennifer Lawrence in “Winter's Bone”
• Natalie Portman in “Black Swan”
• Michelle Williams in “Blue Valentine”

Actress in a Supporting Role

(I'm an Amy Adams fan, but I haven't seen it. HBC was great, but the role wasn't super unique. Hailee Steinfeld was truly marvelous, but I think the Academy will say she's too young to actually win the Oscar.)

• Amy Adams in “The Fighter”
• Helena Bonham Carter in “The King's Speech”
• Melissa Leo in “The Fighter”
• Hailee Steinfeld in “True Grit”
• Jacki Weaver in “Animal Kingdom”

Animated Feature Film

(Haven't seen "The Illusionist," but TS3 and HtTYD were equally wonderful, so I'm not deciding. Although, to be fair, Toy Story has had/will have its share of other accolades. Including the Best Picture nom.)

• “How to Train Your Dragon” Chris Sanders and Dean DeBlois
• “The Illusionist” Sylvain Chomet
• “Toy Story 3” Lee Unkrich

Art Direction

(Saw and loved all of these. I'd give it to Inception, but they all deserve it.)

• “Alice in Wonderland”
  Production Design: Robert Stromberg; Set Decoration: Karen O'Hara
• “Harry Potter and the Deathly Hallows Part 1”
  Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
• “Inception”
  Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
• “The King's Speech”
  Production Design: Eve Stewart; Set Decoration: Judy Farr
• “True Grit”
  Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

Cinematography

(Seen BS, I, TG, TKS. I'd give it to any of them. TKS was really unique. They did a lot of "weird" shots, placing the action or main focus off in a corner and leaving a huge open space. I didn't think it was going to work at first, but it totally did. I loved what they did with the microphone over his mouth, too. Very impressed. If I had to pick one....)

• “Black Swan” Matthew Libatique
• “Inception” Wally Pfister
• “The King's Speech” Danny Cohen
• “The Social Network” Jeff Cronenweth
• “True Grit” Roger Deakins

Costume Design

("Alice" was good. "True Grit" was better. "The King's Speech" will probably get it: I didn't even notice costumes in it, so yeah.)

• “Alice in Wonderland” Colleen Atwood
• “I Am Love” Antonella Cannarozzi
• “The King's Speech” Jenny Beavan
• “The Tempest” Sandy Powell
• “True Grit” Mary Zophres

Directing

(Damn you, Academy! WHERE IS CHRIS NOLAN????? Bah. I liked BS and TG and TKS...others would be good, too. I'd give it to "True Grit," probably.)

• “Black Swan” Darren Aronofsky
• “The Fighter” David O. Russell
• “The King's Speech” Tom Hooper
• “The Social Network” David Fincher
• “True Grit” Joel Coen and Ethan Coen

Documentary (Feature)

(I actually saw a documentary this year! Only the one, because a friend recommended it, but "Exit Through the Gift Shop" was really great, and way better than I expected. Kinda crazy, not too rough. Without comparing to the others, I'd say yes.)

• “Exit through the Gift Shop” Banksy and Jaimie D'Cruz
• “Gasland” Josh Fox and Trish Adlesic
• “Inside Job” Charles Ferguson and Audrey Marrs
• “Restrepo” Tim Hetherington and Sebastian Junger
• “Waste Land” Lucy Walker and Angus Aynsley

Documentary (Short Subject)

• “Killing in the Name” Nominees to be determined
• “Poster Girl” Nominees to be determined
• “Strangers No More” Karen Goodman and Kirk Simon
• “Sun Come Up” Jennifer Redfearn and Tim Metzger
• “The Warriors of Qiugang” Ruby Yang and Thomas Lennon

Film Editing

("Black Swan" and "The King's Speech" are the only ones I've seen as of now. Both had pretty great editing (and I'm not just saying that), but I'd lean toward TKS, if only because it was good without being "necessary.")

• “Black Swan” Andrew Weisblum
• “The Fighter” Pamela Martin
• “The King's Speech” Tariq Anwar
• “127 Hours” Jon Harris
• “The Social Network” Angus Wall and Kirk Baxter

Foreign Language Film

(Seen none. But "Biutiful" is supposed to be good...? *Note (2/8): I finally saw the trailer for "Biutiful"...and it scared me.)

• “Biutiful” Mexico
• “Dogtooth” Greece
• “In a Better World” Denmark
• “Incendies” Canada
• “Outside the Law (Hors-la-loi)” Algeria

Makeup

(Omg. "The Wolfman"? Srsly? Well, whatever.)

• “Barney's Version” Adrien Morot
• “The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
• “The Wolfman” Rick Baker and Dave Elsey

Music (Original Score)

(O, I really liked HtTYD's score, and TKS was impressive, and AR Rahman is awesome, but...but...Hans Zimmer. Hands down. Epic.)

• “How to Train Your Dragon” John Powell
• “Inception” Hans Zimmer
• “The King's Speech” Alexandre Desplat
• “127 Hours” A.R. Rahman
• “The Social Network” Trent Reznor and Atticus Ross

Music (Original Song)

(I actually really loved the songs in "Tangled." I went to the bathroom and missed the first part of "I See the Light," but the end was good. Then I watched it again. Beautiful. So cute. <3 Alan Menken. TS3, obviously, will win, because it's Randy.)

• “Coming Home” from “Country Strong” Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
• “I See the Light” from “Tangled” Music by Alan Menken Lyric by Glenn Slater
• “If I Rise” from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
• “We Belong Together” from “Toy Story 3" Music and Lyric by Randy Newman

Best Picture

(How can I pick just one?? Saw and liked: BS, I, TS3, TG, TKS, WB. Heard great things about: TF, TSN, 127H. Don't know much about TKAAR. Wouldn't cry tears of upseted-ness if "The King's Speech" won. It was awesome. I'd say "True Grit" or "Inception." "Inception." Because Chris got screwed in Best Director! ...And it was awesome. You liked "Inception"? Watch "Memento.")

• “Black Swan” Mike Medavoy, Brian Oliver and Scott Franklin, Producers
• “The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
• “Inception” Emma Thomas and Christopher Nolan, Producers
• “The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
• “The King's Speech” Iain Canning, Emile Sherman and Gareth Unwin, Producers
• “127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers
• “The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
• “Toy Story 3” Darla K. Anderson, Producer
• “True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers
• “Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers

Short Film (Animated)

• “Day & Night” Teddy Newton
• “The Gruffalo” Jakob Schuh and Max Lang
• “Let's Pollute” Geefwee Boedoe
• “The Lost Thing” Shaun Tan and Andrew Ruhemann
• “Madagascar, carnet de voyage (Madagascar, a Journey Diary)” Bastien Dubois

Short Film (Live Action)

• “The Confession” Tanel Toom
• “The Crush” Michael Creagh
• “God of Love” Luke Matheny
• “Na Wewe” Ivan Goldschmidt
• “Wish 143” Ian Barnes and Samantha Waite

Sound Editing

(Still not great at ID'ing what makes this good. Or different from Sound Mixing. But I liked I, TS3, and TG, TKS.....Maybe "Tron" will get it.)

• “Inception” Richard King
• “Toy Story 3” Tom Myers and Michael Silvers
• “Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague
• “True Grit” Skip Lievsay and Craig Berkey
• “Unstoppable” Mark P. Stoeckinger

Sound Mixing

• “Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick
• “The King's Speech” Paul Hamblin, Martin Jensen and John Midgley
• “Salt” Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
• “The Social Network” Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
• “True Grit” Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

Visual Effects

(Hey, "Harry Potter"! Did have good effects. So did "Alice." And "Iron Man 2." And probably "Hereafter," I wouldn't know. But c'mon. "Inception.")

• “Alice in Wonderland” Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
• “Harry Potter and the Deathly Hallows Part 1” Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
• “Hereafter” Michael Owens, Bryan Grill, Stephan Trojansky and Joe Farrell
• “Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
• “Iron Man 2” Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

Writing (Adapted Screenplay)

(While I haven't actually read "True Grit," from what I know and comparing it to the Wayne, they did a great job. And just generally, great. TS3 was nice, great story, WB was good, but not spectacular. And like I've said, the others were probably good too. Or they wouldn't have been nominated?)

• “127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
• “The Social Network” Screenplay by Aaron Sorkin
• “Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
• “True Grit” Written for the screen by Joel Coen & Ethan Coen
• “Winter's Bone” Adapted for the screen by Debra Granik & Anne Rosellini

Writing (Original Screenplay)

("Inception"!!!! Or, you know, another one. "The King's Speech" was really great. Engrossing, even though the premise is definitely yawn-worthy and wouldn't seem able to hold anyone's attention for 2 hours.)

• “Another Year” Written by Mike Leigh
• “The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;
  Story by Keith Dorrington & Paul Tamasy & Eric Johnson
• “Inception” Written by Christopher Nolan
• “The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
• “The King's Speech” Screenplay by David Seidler

The Hangover (2009)

Yeah. I'm going there.

The Hangover
Rating: B+
Watched it: 12/7/10 (most recently)

Okey dokey. First off: it's rated R. There's your fair warning. Second off: I loved it. Judge away. I know it looks like a dumb, raunchy, R comedy/ Frat Pack fart joke fest. I promise, it's so much more. After seeing the trailer, I swore I'd never watch it. But after hearing from some people with similar taste, I figured, "Eh, what could it hurt?" It scarred me, yes, but in a good way. As quotable as Napoleon Dynamite, but so much funnier. And with a legit plot, too!

Here's the basics:
Doug's (Justin Bartha) buddies (Phil, Stu, brother-in-law Alan) take him to Vegas for his bachelor party. They're just gonna spend a night in Caesar's Palace, gamble a little, drink a little, generally have a good time, and head back to LA in plenty of time for the wedding.

The first scene of the movie finds the three non-grooms in the middle of the desert. Phil (Bradley Cooper), looking a little worse for wear, is on his cell phone with Doug's almost-wife, trying to explain that they won't make it back in time for the wedding because Doug is missing. Then we go back two days, to before they took off for Vegas. We see them get there, check into to Caesar's, and have a little pre-partying drink on the roof. Then Stu, Phil, and Alan wake up in their hotel room ($4200 villa) to find a baby and a tiger, but no Doug.

The rest of the movie consists mostly of them backtracking the night's adventures, trying to find out what the hell happened and where Doug could have possibly ended up. They may or may not deal with some personal issues and naked Asians along the way.

Ed Helms (Andy from The Office) and Zach Galifianakis (the guy with the beard) are in it, along with Heather Graham (as a stripper) and an ill-used Jeffrey Tambor (as Doug's father-in-law).


you may like The Hangover if you like...

• raunchy R-rated comedies. I'm not going to lie.
• legitimately funny movies (in my opinion, this would include Monty Python (anything), The Princess Bride, Robin Hood: Men in Tights, Young Frankenstein, Sherlock Holmes' Smarter Brother, The Blues Brothers, This is Spinal Tap, Dr. Horrible's Sing-Along Blog, How to Train Your Dragon, etc.)

you may not like The Hangover if you like...

• super-clean stuff. it's rated R for a reason, people. (it's not so terrible. really it's not.)
• heady dramatic stuff, or mushy chick-flicky stuff. This is for someone with more varied taste, probably.

Two caveats: If nudity offends you (which it kind of should), cover your eyes when they open the trunk, and for the credits. :)

Con Air (1997)

Could've been good. But you know, Nicholas Cage and I aren't exactly besties (unlike Nic and Jerry B, apparently.)

Con Air
Rating: C+
Watched it: 11/26/10

How to begin....? First off, if this movie had been devoid of Nic Cage, I probably would've liked it better. It was a moderately intriguing plot, and not entirely unbelievable. Some good fights, car/plane chases, a few of those walking-away-from-exlposions scenes that every good action flick needs.

But I'm sorry, remind me 1) why Nicholas Cage was in this movie (action hero the guy is not), and 2) why he was supposed to be from Alabama?? Because (and trust me on this, I've lived in the South my whole life), NO ONE talks like that. Except, apparently, Nic's so-not-believable Army Ranger-turned-convict Alabaman. His wife sounds normal, his daughter sounds normal, everyone else in the whole freaking movie sounds normal, but not Mr. I-don't-need-a-language-coach. The fact that he's from the South ONLY comes up in the "gentleman" cliche several other characters mention (as being his one flaw, of course--that he has to help people. Darn that Nic Cage and his insatiable charity!)...and let me tell you, not every guy in the South is a gentleman. There are plenty of beer-brained hicks, too. And then normal people. We have a few of those.

Anyway, plot. Nicholas Cage ("Cameron Poe") is an Army Ranger who just got home, I guess, and he goes to meet his wife at a bar, where some guy starts a fight with him because his wife is pretty. Or something. Being an Army Ranger, Poe can take on the guy and all his friends in a fight, and "accidentally" kills the guy in self defense. Okay, I guess I can believe that. So he goes off to prison for eight years, during which time his hair becomes grotesquely long and his wife has their baby. Poe is getting out on parole, finally, on his daughter's birthday, and he gets put on a transfer plane with all these high-security guys and Poe's diabetic cell-mate (we're not totally sure why). The super-criminals (serial killers, rapists, etc.) take over the plane, killing most of the guards.

Eventually, Poe saves the girl guard, his diabetic friend, and the day. Shocker, right? The bit where they have to crash-land on the Strip in Las Vegas is kinda funny. :)

You may like Con Air if you like...

• Jerry Bruckheimer. This is one of his many action/dramas (see National Treasure (also Nic Cage), Pirates of the Caribbean, The Sorcerer's Apprentice (also Nic Cage), Prince of Persia (not Nic Cage, thank God!), and TV shows like CSI). The man is nothing if not in it for the money.
• probably other "suspenseful" type movies, where you know what's going to happen but you enjoy watching it anyway (e.g., Transformers, Spider-Man, Mission: Impossible, etc.)

You may not like Con Air if you like...

• only chick flicks and indie dramas, I guess?
• well, if you don't like Nic Cage, you'll likely feel the same way I do. which is "eh."
• straight-up comedies.

All told, it's not such a horrible movie. If I thought so, I would've given it a lower rating. Contrary to the tenor of my review, it's actually kind of fun to watch. Except Nicholas Cage with long hair, in a wife-beater, strolling nonchalantly away from an explosion. PLEASE, someone, get that image out of my head!

Buffy the Vampire Slayer: The Movie (1992)

If you took the absolute worst of the 80s and the embarrassing little sister the 90s kept locked in the cellar, then you smooshed them together, this is still worse.

Buffy the Vampire Slayer: The Movie
Rating: D
Watched it: 11/24/10

Don't get me wrong,  I LOVE Buffy Summers. But my first introduction was to SMG's Buffy, not this 90s campy cheesefest, starring no-better-than-child-actor Kristy Swanson and helmed by someone whose name I get confused with Banjo Kazooie's. Joss wrote this script, but I have it on good authority (yes, other than my own experience watching this atrocity) that they made pretty severe cuts and additions--enough to make it almost entirely unrecognizable as Joss Whedon (which, let me tell you, is no easy task). It's full of 80s slang (which may be unavoidable but is certainly inexcusable), Full House fashion on cheap steroids, and sloppy plot devices (Buffy gets cramps whenever vampires are near. Inconvenient much?). Plus, the Big Bad (before we called them that), is worse than any movie Dracula I've ever seen (and he stakes LA Giles! Donald Sutherland. Weird).

One may make the argument that it's a vampire movie, what did you expect? However, even Twilight did better. I'm serious. And anyway, only 5 years later, Joss made vampires work. Sure, the first few seasons had a kind of Power Ranger-y vibe to the makeup, but at least the vampires VAMPED and the Slayer DUSTED. Oh, and isn't "I'm a vampire slayer" the kind of thing you keep to yourself if at all possible? TV Buffy thought so, but movie Buffy is so self-centered and teenagery (in the worst, california sense) that her superhero status is just kind of cool and something to be shared with anyone who asks. Also, sadly, her parents are both d-bags and Merrick is.... so not Rupert Giles. I really can't help but compare the movie to the TV show, but considering how much better the show is, how can you blame me? The show had its less-than-glorious moments, sure, but at least their school dance didn't consist of doughnut hair (Kristy Swanson. Go back and watch it.) and gaudy-licious weapons-grade costume jewelry.

Plot-wise, "I Robot, You Jane" was better (and that is widely recognized as one of the worst Buffy episodes). Buffy the cheerleader finds out she's Buffy the vampire slayer from a creepy old guy. She uses her cheerleading skills (remaining, of course, a cheerleader at heart), ditches her shallow friends for some creepy college drop-out with a soul patch, fights the seniors-turned-vamps who show up at her school dance because Hilary Swank "invited" them, and somehow completes her mission and slays the Big Bad. I don't even remember what they called him--it was that silly.

I've got nothing against camp, generally, and very little against legit vampires. But this was an abuse of camp and of vamp, and it's no wonder people don't like to talk about it.
Go watch the TV show!


You may like BTVS: The Movie if you like...

• you're on your own here. sorry.
• see below for some suggestions on stuff that's better.

You may not like BTVS: The Movie if you like...

• Joss Whedon's legitimate brainchild, BTVS: The Series. (Which many of us just affectionately call Buffy.)
• drama from this era (e.g., The Shawshank Redemption, Pulp Fiction, The Silence of the Lambs, Reservoir Dogs) 
• drama from any era (e.g., The Godfather, Memento, Apocalypse Now, The Departed)
• legit (intentional) comedy (e.g., The Hangover, The Blues Brothers, Dr. Strangelove, How to Train Your Dragon, Monty Python, The Princess Bride)

(PS-- See my latest Tube post for a quick rant on the rumored BTVS reboot)

The Paper Chase (1973)

My dad recorded this, so I did him a solid and we watched it when I was home for the weekend.

The Paper Chase
Rating: C-
Watched it: 10/9/10

Not to be judgmental or whatever, but this was such a 70s movie. The way Lost Boys is an 80s movie. You don't even have to know it was made in the 70s to know it was made in the 70s, if you know what I mean. I won't say I hated it, and it wasn't a "terrible" movie, but it kind of reminded me of a really horrible law school copy of Dead Poets' Society, which I love. Only, unlike DPS, The Paper Chase didn't seem to have a point. It's about grades, then it's about priorities, then it's about being liked by a professor, then it's not about grades or priorities or being liked by a professor, and then he makes his grade report into a paper airplane and throws it into the ocean. The premise was okay, and I thought I might be okay with it, but it fell woefully short of even my (relatively) low expectations.


You may like The Paper Chase if you like...

• 70s movies generally (excluding gems like The Godfather)
• I don't even know what else. Some websites suggest Good Will Hunting, but I love that movie, so I'm loath to lump it with this unimpressive specimen.

You may not like The Paper Chase if you like...

• comedies. Funny, it isn't.
• conclusive films (that is, movies with endings that make sense)
• sappy movies. There's a sprinkling of romance, because that's just what you do, but I was significantly underwhelmed. I'd almost rather have the sap.......... Well, no. But the romance in this movie was token at best.

Tim Burton's Alice in Wonderland (2010)

Brief and messy though it may be, I scribbled down my thoughts at 4am after seeing Alice at midnight.

Alice in Wonderland
Rating: B-
Watched it: 3/5/10

I thought it would be typical Tim Burton-esque creepy. And...it really wasn’t. There were certainly some eerie elements, as well as a healthy dose of the macabre, but the overall tone (and animation style) was actually rather cheerful and light, even considering the darker tones of the plot. While the awesomeness of this movie DID match my expectations (although, fairly, it may not have exceeded them), I was pleasantly surprised in most areas. All of those big-name, Tim Burton-y actors lived up...and Mia Wasikowska far surpassed my initial impression. In the trailer, I thought she maybe looked the part, but seemed much too somber and dull. Boy, was I wrong. I honestly can’t think of anyone better to have played Alice Kingsleigh (anyone else think that was spelled “Kingsley” when they heard it?).

The costumes, while touted as spectacular, were indeed innovative and ingenious. Alice’s dresses, particularly, fit the character, the story, and the mood perfectly. Johnny Depp as the Mad Hatter was appropriately batty, but managed (somehow) to be wholly un-annoying. I’ll admit I got sick of the Red Queen, but I think only because Helena Bonham Carter played the part so convincingly--“Off with their heads!” has been taken to new heights. As a fan of Lewis Carroll, I delighted to see the winks and nods set into the film, as well as the more overt inclusions of all three of his Wonderland stories.

As far as dislikes... The poem “Jabberwocky” (which originally appeared in Through the Looking-Glass, and What Alice Found There) tells the story of a Jabberwock. Explicitly, in the poem, the beast is referred to not as a “Jabberwocky” but as simply a “Jabberwock.” In this movie, however, they use the title of the poem to refer to this beast, which, as I understand it, is an incorrect term for Carroll’s poetic creation.

Aside from my soapbox, however, there was little to truly dislike about the film. I saw it in 3-D, which was good but probably not a necessity (so if you’re looking to save a few bucks, you’re not missing horribly much). The land was imaginative and beautiful, the creatures likewise (with the help of talented [voice] actors such as Alan Rickman, Imelda Staunton, and Stephen Fry), so visually I couldn’t find fault. It was hard, though, to imagine how Alice could have possibly forgotten about “Wonderland” after only 13 years--such a vivid experience (which she admits lingers in her dreams) is not easily dismissed.

I would recommend renting Alice. Not such a bad family movie if the kids are, say, over 10.

You may like Alice if you like:

• anything else by Tim Burton
• live-action fantastical Disney

You may not like Alice if you like:

• cerebral thrillers
• substance-free chick flicks

(Basically, Alice is kind of middle-of-the-road fantasy: pretty fun, most people wouldn't hate it. Except my dad.)